Interno notte
Interno notte 2020 - foto 04.tif

project: Stefania Tansini, Paolo Aralla

choreography, dance: Stefania Tansini

sound project: Paolo Aralla

curated by Claudia Cocchi

supported by GlocalHouse Bologna

in collaboration with Fondazione G.Cocchi

2020

30' minutes

Una performance che parte da una riflessione sulla ‘casa’, di un luogo nel quale il corpo è a proprio agio e ha la possibilità di rilasciare le proprie barriere, di aprire e condividere il proprio mondo intimo profondo.

Una performance che esplora questa condizione fisica e ambientale, per poi traslarla, disintegrare le relazioni abituali e affermarsi in inediti rapporti.

La tranquillità di un tempo e di un luogo casalingo permette di osservare da vicino i dettagli di un corpo che si espone, amplificato da suoni organici che seguono il ritmo naturale del corpo e l’intensità del movimento.

Un’atmosfera rarefatta, calda e accogliente, che assottiglia la distanza tra pubblico e performance.

 

A performance that starts with a reflection on the 'home' of a place where the body is at ease and has the opportunity to release its barriers, to open and share its deep inner world.

A performance that explores this physical and environmental condition, then translates it, disintegrates habitual relationships and asserts itself in new relationships.

The tranquility of a time and a place at home allows you to observe closely the details of a body that exposes itself, amplified by organic sounds that follow the natural rhythm of the body and the intensity of movement.

A rarefied, warm and welcoming atmosphere, which reduces the distance between audience and performance.

PAOLO ARALLA:

Paolo Aralla born in Lecce Italy in 1960. His artistic formation is marked by the encounters with Franco Donatoni (with whom he studied at the Accademia Chigiana - scholarships from the SIAE and the Conservatoire Superieur de Paris - and the National Academy of S. Cecilia in Rome and Marcel Couraud with which deepens the choral-symphonic repertoire. Winner in 1990 of the international competition “Gaudeamus” in Amsterdam, his music has been played by renowned ensembles and musicians such as: Ensemble Intercontemporain, Either/Or ensemble, BIT20 Ensemble, Österreichisches Ensemble für Neue Musik, Zephir Ensemble, Orchestra del Teatro Comunale di Bologna, Orchestra Toscanini, Günter Neuhold, Jonathan Nott, Eva-Maria Kurhau, Maurizio Ben Omar, Francesco Dillon, Yoichi Sugiyama, Het Trio, Sarah Leonard, Michael Nicolas, Erin Lesser, MDI ensemble, FontanaMIXensemble, Quartetto Foné, Quartetto Klima. His music is present in festivals such as: Amsterdam (Gaudeamus), Bologna (Bologna Festival, Teatro Comunale, Accademia Filarmonica), Parigi (Radio France, Cité de la Musique), Londra, Palermo (Spasimo), Montepulciano (Cantiere Internazionale d’arte), Parma (Teatro Farnese), Portland, Losanna, Tokio, San Francisco, New York, Roma (Foro Italico), Milano (Milano Musica), Torino, Salisburgo (Orchesterhaus), Cincinnati, Siena, Strasburgo, Venezia (Biennale Musica), Spoleto (Festival dei Due Mondi), Mittelfest ecc.. Interested by the performative interaction between different artistic disciplines, creates in 2001 the group PRISMA (Pedagogia e Ricerca Internazionale sui Sistemi Musicali Assistiti da computer), together with other European composers and the support of IRCAM. Since 2005, he collaborates with choreographer Luca Veggetti on a series of choreographic and musical pieces characterized by the exploration of the live processing of sound in relation to motion capturing: • “Silence/Text”, for New York City Ballet (Joyce Theatre - New York - 2006) • “O - new version”, for Operà de Paris (2006) • “Ensemble for Somnambulists” (Portland - 2006 e 2007) • “Four/Voice”, for New York City Ballet (Miller Theatre di New York - 2007) • “Play for dancer”, Milano (Pim Spazio Scenico - Milan - 2008) • “O”, for Operà de Paris (2008) • “Memory/Measure”, for Cedar Lake - New York (2009) • “Upon a Ground”, for New York City Ballet (Spoleto - 2009) • “Script”, for Cincinnati Ballet (2009) • “Nothing”, Festival MilanOltre (2009) • “Meditations on Violence”, for Perm State P.I. Tchaikosky Opera and Ballet Theatre (2011) • “Scene/Two”, for Julliard School (2012) • “Vivo e Coscienza”, for Paolo Grassi School (2013) • Non essere, una tentazione - Teatro Verdi Milano (2016) • Scenario - per il MART di Rovereto (2016). In 2002, he is one of the founders of the FontanaMIXensemble in Bologna. In the conservatory of music of the same city, he teaches composition and technologies in relation to composition.